Tom jerry cartoon movie full
What follows is a slew of standard cat-and-mouse chases and carnage - will the hotel’s centre-piece glass atrium get smashed? - mixed in with dull wedding-movie scenarios (a ring gets lost, doubts about an extravagant celebration are expressed) before it all inevitably builds to the ceremony where all bets are off as to what happens to the huge cake baked by wannabe Michelin-star chef Ken Jeong. It’s at this point that homeless mouse Jerry takes up residence in the hotel, leading Kayla to convince hotel manager Mr Dubros (Rob Delaney) and his minion Terence (Michael Peña) to hire piano-playing cat Tom to catch the rodent before the big day. We’re going to watch the release with everyone else.The dull-as-dishwater plot sees unemployed millennial Kayla (Chloë Grace Moretz) con her way into a job at posh Manhattan hotel The Royal Gate, chiefly to help out with the high-society wedding of Preeta (Bollywood star Pallavi Sharda) and Ben (Colin Jost), the biggest event in the hotel’s history. I wanted something I could share with my kids before they get older and don’t want to speak to me anymore,” he says. “Upon sitting down and letting him see his first ‘Tom & Jerry’ cartoon, he then watched seven in a row. One family in particular: Story ultimately jumped into animation so he could show one of his own films to his 9-year-old son while he’s still a kid. If they feel safe enough to go to theaters, great, but if they want to grab popcorn and sit on the couch together, I will take that any day.”
“And to a certain degree, as many have told me, this means more eyeballs than it would in theaters. “I’m accustomed to theater-hopping on opening weekend to enjoy my movies with audiences, but we’re in a place now where it’s more important for us to be safe,” Story says. While the project was conceived with the intention of reinvigorating WarnerMedia vault IP in theaters, “Tom & Jerry” is now one of the first films rolling out as part of the company’s new release model: concurrent openings in cineplexes and on HBO Max. I’ve done smaller-budgeted movies, and you don’t have the luxury of going back when you get a better idea.” “So much of this movie came together in post. He “fell in love with the technology and the freedom of storytelling,” he says. Story found his first animation project creatively compelling. “You can tell from the work he’s done that he’s not afraid to push the envelope and reinvent.” “If anyone were to do this correctly and hit all those critical comedic beats, it would be Tim,” Moretz adds. Early in development, Story ordered up a gray-scale model of Tom the cat, operated by puppeteers, to give the performers something to play against. Let them fight and destroy property, furniture, all the things they’re known for.”īuying into that tone was a tall order for the human actors - a cast that also includes Michael Peña, Colin Jost, Ken Jeong and Rob Delaney - who had to play broad physical comedy with “a piece of tape on a stick,” says Moretz. As long as I could get the actors to buy into the tone, we could just be wacky. That template allowed us to have the most fun. At the same time, they’re being thrown into the real world. “They live by certain rules - they can be cut in half and smashed.
“By no means were we trying to make Tom and Jerry a real cat and mouse,” Story says.
Story was adamant that the iconic Tom and Jerry not cross the visual spectrum and enter live-action “Lion King” territory. It was humorous, and it had a human story you could follow.”Ī major reference for the project was the 1988 film “Who Framed Roger Rabbit,” a spoof of Los Angeles crime noir that saw cartoons mingling with humans as they never had before. The challenge was: How do you translate a 7-minute short into a feature-length format? The script did everything I needed it to do.